Bruce Robinson produces magic from a uncomplicated materials – plywood.
The artist, 73, and professor emeritus at Columbus College or university of Art & Style, commenced his profession as a painter but in current years, shifted to producing sculptural wall hangings and pedestal parts from lower-out and carved plywood.
“Can I acquire this hard development material and get it to be extra fluid, far more supple?” Robinson claimed he requested himself about his do the job.
An exhibit of 23 of his items, “Bruce Robinson: Flutterby,” is on perspective via mid-April at the Pizzuti Collection in the Limited North. The topics of these sculptures selection from athletics to audio, dance, art history and civil legal rights. Like the substance of which they are manufactured, the items have layers of that means and reference.
A range of is effective were being influenced by Robinson’s substantial college years competing in monitor and industry functions, which include “Flutterby,” an interpretation of a broad jumper and whose title is shared by the exhibit “Front Runner” that pays homage to Olympic gold medal 400-meter hurdler Edwin Moses and four runners whose movements are superbly captured in two companion parts, “Rundown #1” and “Rundown #2.”
“Forerunners” honors Jimmy WInkfield, the last African American jockey to ride a winner in the Kentucky Derby. The piece displays two horses, neck and neck, and their riders as they barrel toward the viewer.
Robinson, who works from his studio in his Driving Park residence, commences his pieces with a drawing, recreates the drawing on plywood, and cuts out the impression applying a jigsaw or RotoZip saw — all from one particular continual piece of wood which, in the final component of the method, is painted. His works are like three-dimensional line-drawings in which detrimental space performs an enormous purpose — offering the athletes, musicians or other figures a emotion of animation.
“To me,” Robinson stated, “plywood is a product that has levels, which is a metaphor in addition to getting the assistance for the artwork.”
Various of his parts, Robinson stated, reflect his like of tunes — classical, blues and jazz. “Duet” imagines a functionality by jazz artists of unique generations: Keith Jarrett and Thelonious Monk, with the pianists participating in on keyboards immediately throughout from each individual other. In “Playoff,” a determine strums a double bass. The sculpture has a double indicating in that its composition references the Titian painting “The Flaying of Marsyas,” portraying the destiny of the unlucky satyr who lost a new music contest to Apollo.
Several operates in the exhibit depart from the plywood medium. The small wall sculpture “846” is titled for the eight minutes and 46 seconds George Floyd was pinned to the floor underneath a Minnesota law enforcement officer’s knee. Under an American flag whose star industry capabilities scenes of protests hold three pendulums carrying the variety 846. The piece is subtly potent.
Sitting down on the gallery flooring are 3 cell assemblages that Robinson constructed of uncovered resources and outfitted with transistor radios, drums and chimes — enabling them to shift and make noises like helpful mechanical aliens.
Robinson obtained a Bachelor of High-quality Arts degree from the Kansas Metropolis Art Institute and a Grasp of Fantastic Arts from Indiana University. He labored for much more than 30 decades training at CCAD.
At the Pizzuti Selection, Robinson’s works are discovered on the 2nd flooring in close proximity to the substantial Alison Saar sculpture “Nocturn Navigator,” a tribute to the Underground Railroad. The placement is proper specified the subject matter issue of Robinson’s functions, claimed Tyler Cann, director of exhibitions and curator of modern day art at the Columbus Museum of Artwork that oversees the Pizzuti Collection.
“We’re delighted to have Bruce’s get the job done listed here,” Cann stated. “He’s the suitable artist in the suitable spot at the correct time.”
At a look
“Bruce Robinson: Flutterby” continues as a result of April 24, at the Pizzuti Selection of the Columbus Museum of Art, 632 Park St. Hrs: 11 a.m. to 6 p.m. Fridays via Sundays. Admission: $5, free to members and veterans and energetic armed service and families. Masks are essential. Call 614-221-6801 or check out www.columbusmuseum.org.
This post at first appeared on The Columbus Dispatch: Bruce Robinson’s art displays the layers of that means guiding his function