Melinda Watt, Chair and Christa C. Mayer Thurman Curator of Textiles, and Jordana Munk Martin, founder of the textile-centered archive, library, and journal TATTER, examine Morris and Company’s enduring aesthetic and its affect on modern arts and crafts.
About the Speaker
Jordan Munk Martin conceived of and released a unique textile study room and adjacent education facility in Brooklyn, NY, for the goal of textile study, visible inspiration, and scholarship. Blue: The Tatter Textile Library is dwelling to around 6,000 guides and textile objects. The adjacent workshop provides about 50 workshops per 12 months as effectively as guide activities and gatherings. Programming steers toward a preservation of ethnographic textile strategies in up to date themes. People to the library include things like artists, designers, costumers, historians, and much more. The library involves partial or whole particular libraries of Edith Wyle, Carol Westfall, Cora Ginsburg, and Jordana Munk Martin. Martin also serves as the editor-in-chief of TATTER Journal.
Previously, Martin was curator and writer of Product Cultures (Bric Arts Media, Brooklyn, NY), a team exhibition that includes the operate of 8 modern day visual artists who engage with and react to important features of textile: weaving, pattern, draping, embellishing, and donning, highlighting profound connections to history, ritual exercise, cultural identity, inventive expression, and politics. Martin was also a co-founder, mentor, and producing instructor for the artist-in-residency application for the Textile Arts Centre in Brooklyn, NY. She gained her BFA from Brandeis University, an MFA in painting from Rhode Island Faculty of Style, and an affiliate degree in surface layout from the Style Institute of Technological know-how.
Manufactured feasible by the Carol Specified Winston Fund.
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