Portland Museum of Artwork gets pictures collection that ‘puts us at one more level’

The Portland Museum of Artwork has obtained a collection of much more than 600 pictures, including functions by earth-famous 20th-century photographers, that the museum thinks will transform it into a place for the art form.

The gift from photographer, philanthropist and collector Judy Glickman Lauder includes pictures by Berenice Abbott, Diane Arbus, Richard Avedon, Margaret Bourke-White and Gordon Parks.

“This assortment places us at a further stage,” stated Mark Bessire, museum director. “We’ve always completed (pictures), but this just leverages the do the job we are doing and allows us take off. This (assortment) could have long gone wherever, but it is coming listed here.”

Glickman Lauder, who could not be reached for an interview, has homes in Cape Elizabeth and on Terrific Diamond Island and a longstanding affiliation with Rockport’s Maine Media Workshops. She serves on the museum’s board of trustees and is a properly-known photographer in her very own proper, with operate hanging in prominent museums all-around the world, including the Whitney Museum of American Artwork in New York Town and the J. Paul Getty Museum in Los Angeles.

She is providing the PMA the selection, which involves some of her individual do the job, as a “promised reward,” which usually means a pledged donation at some specified long run date, even though the museum already has the selection on web site. The museum declined to say how a great deal it is really worth.

Libby Bischof, a background professor at the College of Southern Maine who specializes in the heritage of pictures and has co-authored a book on Maine photography, was energized to study about the donation previous week.

“Six hundred photographs from artists of this caliber will be very significant not just to the museum but to the point out,” mentioned Bischof, who occurred to be sitting down in USM’s Glickman Family members Library, named for a earlier donation of far more than $1 million from Glickman Lauder and her late partner, Albert Glickman. (Quite a few a long time soon after Glickman died, she married Leonard Lauder, also a philanthropist and art collector.)

The actuality that Glickman Lauder and many others, like Maine art patrons Paula and Peter Lunder, selected “to situate their important personalized collections of deeply essential and impactful do the job in a condition that is intended so much to them and so significantly to American artwork signals to other patrons, collectors and practitioners that Maine is a position wherever their operate can also live,” mentioned Bischof, who also serves as executive director of the Osher Map Library and Smith Middle for Cartographic Education at USM. “It actually seeds that perform and Maine’s continued significance in American images.”

The museum sees the selection, alongside with an eventual expanded campus thanks to its buy of the former Children’s Museum & Theatre of Maine, as essential to its long run advancement.

“Glickman Lauder’s reward permits the museum to assume broadly about the next chapter of PMA history, particularly about how we can generate open encounters with artwork, develop and diversify our collection, and open up new and dynamic local community-centered areas that welcome our myriad communities,” museum spokesman Graeme Kennedy wrote in an email.


Museum readers will have a probability to see a choice of the pictures in Oct, when the museum is scheduled to mount a key exhibition, “Presence: Photographs from the Judy Glickman Lauder Selection.” It formerly showed some of these is effective about a dozen decades in the past, Bessire stated, but given that then the assortment has “probably doubled in size, and it is still rising.”

The exhibition will be curated by Anjuli Lebowitz, the museum’s freshly employed, inaugural Judy Glickman Lauder Affiliate Curator of Photography.

Anjuli Lebowitz, the new Judy Glickman Lauder Affiliate Curator of Pictures, shown at her household, suggests, “For a extended time, the verdict was that photography was not art,” but Glickman Lauder wasn’t concerned with that debate. Brianna Soukup/Personnel Photographer

Glickman Lauder began accumulating images in the 1970s, Lebowitz stated, a time when the market place for shots was exploding as collectors endeavored to build a revered willpower.

“Matching images to specified inventive movements was a important theme at the time due to the fact they were being hoping to justify pictures as art. Since of its mechanical mother nature, with photography, there was normally a substantial hang-up about irrespective of whether or not it could be art,” Lebowitz spelled out. “For a extended time, the verdict was that images was not art.”

One particular of the matters Lebowitz finds so powerful about this selection is that Glickman Lauder wasn’t worried with that debate. Lots of collectors at the time were seeking only for the “best” photos, Lebowitz said.

“Judy is also searching for ‘What are the best pictures?’ but she is also seeking for pictures that shift her. She is not looking to fill in gaps – ‘I require one photo from this artist and a person picture from this movement’ – that’s not the worry. Still, she has remarkable photos that are element of the canon, but she integrated them mainly because they go her, mainly because she connects to them, and I think that is a actually special strategy to forming a massive assortment like this,” Lebowitz said.

Bessire underlined that stage.

“One of the most exciting issues for us is that she is a photographer herself,” he reported about Glickman Lauder. “It’s appealing to see what another person guiding the lens collects. A photographer brings to accumulating a distinct eye and a distinct way of seeking at images. Her eye goes to images. She’s quite democratic in her alternatives. Just because somebody is not well recognized doesn’t imply it’s not a attractive graphic.”

The collection encompasses is effective “by significant contributors to the medium’s history” whose names are significantly less familiar to the general community, these types of as Graciela Iturbide, Lotte Jacobi, Alma Lavenson and Ben Shahn, the museum stated in a information release.

Maine Media Workshops + Higher education President Mark Mansfield described those and other photographers showcased in the assortment as “the canon of photographic historical past.”


Bessire mentioned the selection facilities on visuals shot by groundbreaking feminine photographers, visuals of American civil legal rights struggles, pictures of the style and celeb worlds and photographs that depict the legacy of the Holocaust and of war. (Glickman Lauder is regarded for her individual e-book, “Beyond the Shadows,” showcasing photographs she shot above 3 decades of focus camps, camp survivors and the Danes who risked their life to help you save Danish Jews throughout Environment War II.)

Irving Bennett Ellis, father of philanthropist and collector Judy Glickman Lauder, produced this 9- by-7-inch, double-publicity gelatin silver print of Glickman Lauder’s mom, Louise Ellis, circa 1936. It is portion of the Judy Glickman Lauder Collection. Graphic courtesy of Luc Demers

In a launch asserting the present, the museum integrated various shots that “really display the toughness of the selection,” Lebowitz explained. One demonstrates a double exposure of Glickman Lauder’s mother, Louise Ellis, that was shot by her father, Irving Bennett Ellis, a doctor and a renowned photographer himself. Lebowitz described it as an “incredible composite portrait displaying diverse psychological states of Louise Ellis.”

A further is “American Gothic,” a photograph by the celebrated African American photographer and film director Gordon Parks. It depicts Ella Watson, a charwoman at the federal Farm Security Administration place of work where Parks was operating at the time, in a pose modeled after the Grant Wood painting of the similar title. Instead of a pitchfork, Watson is demonstrated with a mop and a broom instead of a farmhouse in the qualifications, there is an American flag.

“Judy has a pretty solid social justice streak, and that photograph is so popular and so outstanding and by one particular of the most significant photographers of the 20th century, but I also enjoy that it was a collaboration with the matter, Ella Watson,” Lebowitz mentioned. It is a single of a series of practically 100 prints that Parks designed with Watson. “And it so succinctly would make the level that we as a region can do much better. It reveals equally love of nation and a rightful criticism as perfectly,” she mentioned.

Photographed by Richard Avedon, Audrey Hepburn and Artwork Buchwald, with Simone D’Aillencourt, Frederick Eberstadt, Barbara Mullen and Dr. Reginald Kernan, at Maxim’s in Paris in August 1959. A gelatin silver print, 19½ by 29 inches. “Talk about a photograph with wow electricity,” mentioned Portland Museum of Art Director Mark Bessire. Richard Avedon

A 3rd, by fashion photographer Richard Avedon, is shot at Maxim’s in Paris and shows actress Audrey Hepburn and humorist Artwork Buchwald.

“I feel it definitely captures the spirit of the collector, as (Glickman Lauder) is pretty exuberant and pleasurable as properly,” Lebowitz reported. “The presence of pleasure and wonder is really why the collection is so particular, and why I’m so content it’s here and that I have arrive to Portland to do the job with it.”

Lebowitz has worked in this sort of large metropolis museums as the Philadelphia Museum of Art, the Metropolitan Museum of Artwork in New York Town, and the Countrywide Gallery in Washington, D.C. A selection like that of Glickman Lauder has a a great deal greater impression on a smaller sized establishment, she stated.

“Even 600 images can be swallowed up when you are speaking about a bigger location that has 50,000 images. Here it can have delight of put,” she stated. “It seriously is the star of the present.”

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