Lorenzo Poli, the Sony Globe Pictures Awards 2022 winner of the Landscape class, discusses the determination behind his environmentalism-motivated “Life on Earth” series.
Photographer With Passion for Environmental Regeneration
Poli is an Italian photographer and architect whose job has been greatly encouraged by his love for mother nature. As a consequence, he has frequented a lot of untamed environments around the globe. His “Lifestyle on Earth” photographic collection earned him leading honors in the Experienced Landscape class of the recently concluded Sony Environment Photography Awards 2022.
For the duration of the pandemic, Poli experienced the chance to live remotely in the wilderness of the Scottish Highlands wherever he worked on utilizing sustainability approaches for shoppers like Apple. All through this time, he found himself in awe of the untamed British wilderness — so substantially so that he left his architectural career in pursuit of photography.
His track record in environmental sustainability continued into his pictures, namely in his “Life on Earth” sequence. Poli tells PetaPixel that this body of work is about “the enormous preciousness of daily life, about the consciousness, and the visible gratitude” to Earth.
“This is what I search for to photograph. Photography is a type of a transcendental meditative experience for me and ideally, this can be perceived by my pictures.”
On the lookout at influential photographers like Edward Burtynsky, who described the act of using a photograph in phrases of “the contemplated moment,” and Henri-Cartier Bresson, known for his strategy of “the decisive instant,” Poli relates his operate to what he would explain as a “revelatory moment.”
Each Image Tells a Tale
Every photograph in the selection has a tale guiding it. For example, even though kayaking all-around the island of Rona, in the Interior Seem, Scotland, Poli camped right away on the summit of the Mullach an Rathain, a mountain in the Torridon Hills.
“The sound of the approaching dawn woke me up,” he recollects. “The minimal clouds have been hiding the Sun’s placement and whilst chasing the increasing Sunshine by means of its rays above the valley, abruptly and for a break up next the Sunlight appeared amongst the peaks. I felt the electrical power of the Sun embracing each life on Earth.”
The picturesque moment resulted in a photo titled “Karma Sunlight.”
The photo “Bare Land,” on the other hand, was captured in the Icelandic Highlands. Imagining lifestyle on Earth just before humans, Poli transported himself to a time billions of a long time back as he stood to expertise being exactly where two major tectonic plates fulfill.
“I have a profound admiration for the final result of multi-millenary processes,” he says. “If we in comparison our personal life to these millenary procedures, we understand how irrelevant our specific existences are.”
“At the exact time, I wanted to encounter what a earth devoid of lifetime could seem like,” Poli provides. “From this sort of height — shot with a drone at 165-meter elevation — you can see no water, no vegetation, no alive creatures, but only a human route throughout the craters.”
Likewise, just about every one photograph in the sequence has been born out of Poli’s enjoy for the normal earth and his inherent passion to emphasize the great importance of preserving the surroundings for generations to occur, by restoring forests, leaving the fossil fuels period driving, and “expanding that natural silence, as soon as reigning undisputed over the entire world.”
Picture credits: Photos by Lorenzo Poli.